Mark Ritson: How ‘influencers’ made my arse a work of art
It’s the middle of June and you know what that means. A certain location on the French Riviera orders in the rosé, sets up shop and any marketer with a pulse and an expense account heads to Cannes and the Festival of Creativity. After much navel-gazing and flagellation over the past year, Cannes has re-emerged apparently unchanged and as powerful and pointless as ever. The presentations remain the same dreary combination of purpose, creativity and disruption – just with bigger fonts. The conjoined dismissal of and desire for awards is as schizophrenic as ever. And the attendees remain the same too. Not since Rommel invaded North Africa in 1941 have so many pasty old white men been exposed to so much sunshine, so suddenly. Quite remarkably, however, something positive has actually emerged from this years Festival. We have Keith Weed, Unilever’s CMO, to thank for a rare bit of practical sanity. He used the stage at Cannes on Monday to bemoan the current state of influencer marketing, which he believes is bedevilled by integrity and transparency issues. Weed called for a three-pronged approach to influencer marketing in which misleading engagement, dishonest practices and a lack of transparency need to be fixed. “We need to take urgent action now to rebuild trust before it’s gone forever,” he said. Hmm. As usual, I find myself in violent agreement with Mr Weed while at the same time shaking my head at the abject unlikelihood that anything will come of it. Yes, Unilever does possess influence, but the idea that it can somehow police the world of influencer marketing into being more legitimate seems fundamentally flawed from the outset. READ MORE: Despite Unilever’s good intentions, its demands of digital platforms are futile[1] The whole premise of influencer marketing is, if you think about it,…
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